What this mental discussion about autofocus speeds and megapixels is clouding, however, is that for most situations, those things are not necessary. What’s keeping me back for now are the costs, and the fact that both cameras have a fully-articulating rear display instead of the excellent flipscreen that the X-H1 had, and which I prefer for photography. Both have a larger grip, which I have come to prefer over the years for professional use, and have an autofocus system which is more than sufficient for what I use my cameras for (let’s be honest, the X-H1 is already managing quite nicely). The X-H2, which is slightly more affordable, is no slouch either. The X-H2s, with a stacked sensor, is the speed king, but is way too expensive for me. As I’m mainly shooting with the X-H1, which is ancient in camera terms, being announced in 2018, and is still only a toddler in autofocus speed, I am sometimes tempted to upgrade to a newer, faster camera. Two cameras that are the ultimate in speed (X-H2s) and resolution (X-H2). New generations of camera’s have been presented every few years, with the recently the newest of the family, the Fujifilm X-H2(s). However, this was not what I wanted to talk about.Įver since the Fujifilm X-E1 was launched in 2012, and I sold my Canon 5Dii, Fujifilm has been my main camera system. Phew, I managed a new post without waiting a whole year! The truth is, I would like to put my work out into the world, but I’m not quite sure how to go about it.
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